Prologue (Prolog) - Judge, Lucheni, Death, the Dead
Like You (Wie du) - Elisabeth, Max
Lovely to Have You All Here - (Schön, euch alle zu seh'n) Ludovika, Hélène, Family
Every Path Is a Maze (Kein Kommen ohne Gehen) - Death (Hungarian & Japanese productions only)
Black Prince (Schwarzer Prinz) - Elisabeth (originally a direct reprise of Like You, rewritten for the Dutch premiere and subsequent productions)
Each Gets What He Deserves (Jedem gibt er das Seine) - Sophie, Franz-Joseph, the Court
Things Never Happen Exactly as You Plan (So wie man plant und denkt...) - Lucheni, Sophie, Hélène, Elisabeth, Franz-Joseph
Nothing is Difficult (Nichts ist schwer) - Franz-Joseph, Elisabeth
All Questions are Asked(Alle Fragen sind gestellt) - Wedding Chorus (and Death in the Takarazuka production)
She's Not Right (Sie passt nicht) - Sophie, Max, Wedding Guests
The Last Dance (Der letzte Tanz) - Death
An Empress Must Sparkle (Eine Kaiserin muss glänzen) - Sophie, Countess Esterházy, Ladies-in-Waiting
I Belong to Me (Ich Gehör Nur Mir) - Elisabeth
The First Four Years (Die Ersten Vier Jahre) - Lucheni, Elisabeth, Sophie, Ladies-in-Waiting, Franz-Joseph, The Court, Hungarians
The Shadows Grow Longer (Die Schatten werden länger) (Preview) - Death
The Cheerful Apocalypse (Die fröhliche Apokalypse) - Lucheni, coffeehouse patrons
Child or Not (Kind oder nicht) - Sophie, Countess Esterházy, Young Rudolf (appears from the German premiere and subsequent productions)
Elisabeth, Open Up My Angel (Elisabeth, mach auf mein Engel) - Franz-Joseph, Elisabeth, Death
Milk (Milch) - Lucheni, the Poor (and Death in the Takarazuka production)
Beauty Care (Schönheitspflege) - Countess Esterházy, Ladies-in-Waiting
I Just Want to Tell You (Ich will dir nur sagen) (I Belong to Me Reprise) - Franz-Joseph, Elisabeth, Death
Act Two:
Kitsch (Kitsch) - Lucheni
Éljen (Éljen) - Hungarian Crowds, Lucheni (omitted in Stage Entertainment productions)
When I Want to Dance (Wenn ich tanzen will) - Death, Elisabeth (written for the German premiere and appears in subsequent productions, sans the Hungarian staging)
Mama, Where Are You? (Mama, wo bist du?) - Young Rudolf, Death
Mama, Where Are You? (reprise) (Mama, wo bist du reprise) - Young Rudolf, Death (Original Dutch production only; the scene was inserted into the gap made by moving the earlier song into act one)
She Is Insane (Sie ist verrückt) - Elisabeth, Miss Windisch
Nothing, Nothing, Nothing at All (Nichts, nichts, gar nichts) - Elisabeth (originally a dance-sequence with Elisabeth as Titania from A Midsummer Night's Dream)
I Belong To Me (Ich Gehör Nur Mir reprise) - Elisabeth (Takarazuka productions only)
Us or Her (Wir oder sie) - Sophie, The Court
Don't Play the Prude (Nur kein Genieren) - Madame Wolf, Lucheni, Whores
The Last Chance (Or 'The Malady') (Die letzte Chance (Maladie)) - Death, Elisabeth
Between Dream and Reality (Zwischen Traum und Wirklichkeit) - Elisabeth (Toho Japanese productions only, also recorded for the Stuttgart production cast recording, though not utilised in the actual show)
Bellaria (Bellaria) - Sophie (Primarily appeared in Hungarian and Japanese productions starting in 1996; Has been present in all productions since then, except for the Takarazuka production)
The Restless Years (Die rastlosen Jahre) - Franz-Joseph, The Court, Ladies-in-Waiting
Hunt (Jagd) - A sequence referencing Elisabeth's hunting trips in Europe in the original Viennese production (deleted in all but the Hungarian production)
The Shadows Grow Longer (Die Schatten werden länger (Reprise)) - Death, Rudolf
Argument Between Father and Son (Streit Vater & Sohn) - Rudolf, Franz Joseph (first seen in the Dutch and Essen productions, then inserted into the Viennese revival and subsequent German productions)
Hate (Hass) - Anti-Semites (cut from the Takarazuka productions due to controversial content)
Conspiracy (Verschwörung) - Rudolf, Hungarian Nationalists (does not appear in the Vienna production; expanded for the Takarazuka version)
Like You (Wie du (Reprise)) - Elisabeth, Max's Ghost (does not appear in the Takarazuka production)
If I Were Your Mirror (Wenn ich dein Spiegel wär) - Rudolf, Elisabeth
The Mayerling Waltz (Mayerling-Walzer) - Rudolf, Death, Mary Vetsera
Rudolf, Where Are You? (Rudolf, wo bist du?) - Elisabeth (a duet with Sophie's Ghost in the Dutch and Hungarian productions)
Every Path Is A Maze (Kein Kommen ohne Gehen Reprise) - Death (Takarazuka productions only)
My New Assortment (Mein neues Sortiment) (Kitsch reprise) - Lucheni
Two Boats in the Night (Boote in der Nacht) - Elisabeth, Franz-Joseph
On the Deck of the Sinking World (Am Deck der sinkenden Welt) - Lucheni, Death, Franz-Joseph, the Habsburgs (Missing first half of the song in the Takarazuka stagings)
The Veil Descends (Der Schleier fällt) - Elisabeth, Death
Closing Music (Schlussapplaus) - Instrumental (Length and assortment of themes vary from production to production)
After making the mistake of trading his single white feather to the devil Evelyn for a full-set of black wings, fallen angel Mephistopheles is sent to earth to collect the souls of humans. There, he notices a girl Angela drop a piece of paper.
He follows her to a singing audition, where he watches as she meets another aspiring singer named Michael. The two young people hit it off, but Michael's performance gets him kicked out of the competition. Angela's song about her guardian angel has the opposite effect: the company president loves her singing and she is rushed off to be prepared for her debut as an entertainment idol.
After the audition, Michael and two other contestents (the rock-and-roller Raul and surfer-boy Gabby are at loose ends. Mephistopheles approaches Michael and gets him to sign a magic card that will get him whatever he wants. Of course, the price is his soul. Still in disbelief, Michael signs.
Mephistopheles and his fellow devils use their wiles to make their new band the "Lost Angels" (made up of Michael, Raul, and Gabby) the opening act for Angela's debut concert. Meanwhile, under the tutelage of Brian, Angela works hard to live up to the expectations of a proper idol.
But it's not until the concert goes off successfully all around, that Mephistopheles true game can begin...
-------------------footnote-------------------
Marketed as Suzukaze Mayo's last performance with Takarazuka (it actually took place between the Grand Theater and Tokyo runs of Grand Hotel/Broadway Boys.) The play features several songs from the musical "Elisabeth", re-written with new lyrics to match the play. This was not long after the musical debuted and was several years before Takarazuka would perform it.
